AD-Assistant Director. Member of the production department.
Art Director-Responsible for the look of set pieces on the set.
Assistant Chief Lighting Technician-See: best boy electric
Back-A light set to add edge or separation from the actor and the background.
Ballasts-Portable transformer of electricity specific to certain lights.
Best Boy Electric-Gaffers right hand man. Responsible for manpower, equipment, and paperwork for the electrical department.
Breakers-Electrical safety device in a switch form.
C-Stand Arm-Metal arm with an adjustable clamp used to hold equipment in place during a film take.
CD 80-Brand of a dimmer board.
Call Sheet-Piece of paper containing individual call times, and location specific to each day of filming.
Call Time-When a member of the crew is expected to start working.
Camera Department-Department responsible for running the cameras used to make a motion picture.
Camera Operator-Member of Camera department who operates the camera. Often the DP.
Catering-Department responsible for breakfast, lunch or dinner for the crew on the set.
Chief lighting Technician (Gaffer)-Head of the electric department. The DP’s right hand man.
Condor-Crane with a basket used for aerial lighting.
Construction Crew-Department responsible for building sets.
Craft Service-On set position responsible for snacks and water for the crew throughout the day.
Day for Day-Day scene shot during the day.
Day Player-See: Extra Men
De-Rig-Removal of equipment from a location.
Diffusion Frame-Grip equipment used to diffuse a source of light.
Dimmer Board-Stationary piece of equipment used to control specific lights from one central location.
Director of Photography (DP)-Head of the camera department. In charge of the look of the film also know as the Cinematographer. BSC,ASC(British/American Society of Cinematographers).
Distro-Power distribution equipment.
Distribution Box-Portable box like piece of equipment used as a central point to distribute power to different areas of the set via cables and stingers.
DIT-Digital Imaging Tech. Member of the camera department responsible for relaying digital aspects of the captured image.
Electric Department-Department responsible for the running of electric power to the set.
Executive Producer-Individual who contributes money to the production of the film.
Extra Men-Additional crew members hired for one day only.
Extras-Actors used as background of a scene.
Fill-A light set in contrast with the key light.
Fire lane-A four foot perimeter inside the building, kept free of any equipment in case of an emergency.
Flag-Grip equipment used to shape a source of light.
Gel-Piece of material cut from a roll used to alter the visible color of a light.
Generator-Portable device that creates electricity.
HMI- A lamp containing a metallic gas medium(mercury-halide), used in motion pictures to mimic daylight.
High Definition-Digital film stock used to make a motion picture.
IATSE-Motion picture mechanics union.
International Alliance of Theatrical and Stage Employees
Inky-Small 200 watt lamp.
Jockey Boxes-Storage areas located in the belly of the truck.
Juicers-Set lighting technicians.(SLT’s)
Key-Main source of light to light a scene. Also head of a department
Load In-Process of loading equipment from the rental house to the truck.
Locals-Geographical areas associated with a particular trade. 495(San Diego), 80(LA Grips), 728(LA Electrics), 600(Camera), 52(New York)
Monitors-Television or computer screens that carry an image of what is recorded by the camera operator.
Practical Lights-Everyday light fixtures that are seen on the screen.
Principal Actor-One of the main stars of a film unit.
PA-See:Set Production Assistant
Production Department-Department responsible for coordinating the budget with the process of shooting a script.
Props-Responsible for the placement of set pieces that an actor touches.
Punum-Yiddish word meaning face.
Rigging-Adding of equipment and cables to a location.
SLT-Member of the electrical department. Responsible for setting lights and running power to the set.
Set Dressing-Responsible for the placement of set pieces that an actor does not touch.
Set Production Assistant-Low level assistants to the production department. Operate on set or in the office performing various ‘gofer’ tasks.
Shot Bag-Small Sand bag used as a weight on stands.
Sides-Small booklet containing the script dialog and mini call sheet specific to each day.
Single-New York term for ‘Stinger’. A shot of just one actor.
Soco packs-Electrical cable with controllable power leads.
Soft Edge-A light set to add separation from the actor and the background
Stand-In-Person used in place of principal actor for dialog, blocking and lighting of a scene while the principal actor is in make up and wardrobe.
Stinger-Extension cord.
UPM-Overseas the daily production and preparation of the show.
Unit Production Manager-See:UPM
Union Days-Guaranteed hourly work days at an agreed upon IATSE rate specific to each local contact.
Union Gaffers-A gaffer that is in an IATSE local.
Universal Studios-Major motion picture studio in Los Angeles.
Wrap-End of allotted shooting time for day, week, location, actor etc.
10-100-Walkie Talkie code for Restroom break #1.
10-200-Walkie Talkie code for Restroom break #2.
